Learning to love the mechanical
When
it comes to appreciating a mechanical watch, accuracy and practicality
are not remotely as important as appreciating the art, science,
engineering, skill and history that goes into it
In other words, if you are a social media millionaire, Russian resource oligarch, or optionsvesting chief executive, it doesn’t matter how expensive your Ulysse Nardin tourbillon, Greubel Forsey masterpiece or heirloom Rolex Daytona is. In all likelihood, your chauffeur wears a more accurate timepiece. The need to tell accurate time is vital, of course, but not one that by itself justifies the investment in a good mechanical watch. Indeed, accuracy is the best reason not to wear a watch at all. Your mobile phone is not only a more versatile timekeeper, but also an accurate and intelligent one. Most phones can automatically set their electronic clocks to the network time, or connect to an online time server. And unlike most watches, phones automatically take care of dates, leap years, daylight savings time, and even time zones when you travel.
Photo: A Lange and Sohne
When
it comes to appreciating a mechanical watch, therefore, accuracy and
practicality is not remotely as important as appreciating the art,
science, engineering, innovation, skill and history that goes into every
mechanical watch. From affordable brands such as Hamilton and Rado,
right up to the hallowed names of Swiss haute horology such as Patek
Philippe and Vacheron Constantin, every mechanical watch tells a story.
Every movement inside one of these watches is the culmination of
centuries of human innovation and ingenuity. Around the movement are
elements that are much more contemporary, but every bit as artful—the
case, bezel, crystal and strap. In much the same way you can tell the
history of people and places through their art and architecture, you can
tell the story of modern design and engineering through the designs of
watch cases and bezels. (For instance, see page 19 of this issue and
browse through seven decades of IWC Pilot’s watches. See how our ability
to work metal and inscribe lettering has evolved over that period.)Therefore,
contrary to common perception and consumption, there is more to a watch
than the brand on the dial. It is also about understanding the inherent
provenance and complexity of the object in your hand. And mechanical
watches are astonishingly complex: this year’s Patrimony Traditionnelle
14-day Tourbillon by Vacheron Constantin packs 231 parts, including 31
jewels, into a movement 6.8mm thick!Formula One racing and vintage cars are worthwhile comparisons to mechanical watchmaking. Why do people care so much about speed? What element of F1 racing, from the perspective of the average automobile user, is remotely practical? If you were in that much of a hurry you’d probably catch a train, book a flight or hire a helicopter. Yet each race in the F1 calendar is seen by millions all over the world. A young 23-yearold German driver in a team owned by an Austrian energy-drink entrepreneur has devoted fans in far-flung suburbs of Mumbai. Young Chinese and Malaysians debate the technical merits of the latest cars, reducing complex cuttingedge concepts into four-letter abbreviations and phrases such as KERS and “electronic traction control”.
The halls and corridors at SIHH and BaselWorld are witnesses to similar heated discussions and debates about the latest mechanical watches. Albeit at a much smaller scale. (Some watch nuts might say that watching the second hand travel around a Piaget Altiplano Skeleton is as satisfying as seeing Fernando Alonso chew up lap after lap.) Watch lovers take their passion very seriously indeed. Some people love the technical accomplishment. Some, the design and heritage. Still others have too much money lying around and want to own everything new. It makes for a heady mix of views and emotions, and explains why popular watch magazines and blogs are a dozen to a brand. But what do they talk about? Plenty. Everything from the leather in the bracelet, to the colour of the numerals can divide opinion. And, of course, innovation.
Photo: A Lange and Sohne
Now,
this is an industry obsessed with perfecting a technology that is, when
you come to think of it, mostly obsolete. Does that mean brands sit on
their laurels and mint money shipping out the same old references year
after year? Well, yes, of course. But there is also tremendous
innovation lurking under the surface.Take the case of one of
the simplest and most vital parts of the mechanical movement— the
balance spring, or hairspring. The first timepieces with hairsprings
were made by Dutch scientist Christian Huygens around 1660. One would
assume that the last 352 years have resulted in every possible
innovation. But, in fact, to this day, maisons such as Breguet continue
to design and manufacture new types of hairsprings out of materials such
as silicon. Innovation in mechanical watchmaking is well alive. The
pressure to impress retailers, customers and the media at fairs each
year is so high that brands often have two or three years’ worth of
innovations and novelties in the pipeline at any given time. Few of
these are as path-breaking as the tourbillon movement. But brands still
strive.If the technology, complexity and innovation isn’t enough to convince you, then perhaps the heritage will. Watches have accompanied human beings through some of their greatest achievements through the course of the last century. Omegas have been worn to space, Rolexes have summitted the Everest, Cartiers have crossed the Atlantic with Charles Lindbergh and IWCs have fought a world war. And, while it might seem like the entire world is wearing a Rolex or a Patek Philippe, the top Swiss brands in fact make very few watches each year. Some, like Richard Mille, intentionally keep supply below demand to maintain exclusivity. Which means many watches are hot collector’s items. In December 1999, Sotheby’s sold a unique Patek Philippe pocket watch, made in 1933, to an anonymous collector for $11 million.
Thus, when you wear a mechanical watch on your wrist, what you are really wearing is a feat of engineering and a product of history. The price you pay can depend on anything from the number of diamonds on the bezel, to your gullibility. (And these guys are great at marketing.) But with a little research, a little curiosity, and a little passion, you will find yourself owning not so much a device but a work of art—one that can accompany you everywhere.
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